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In this regard, this book explores the relationship between affective-sexual education and the LGTBIQ community—more characterized by its disagreements than its agreements—tracing a path through different dimensions of sociocultural reality, from the focus on what the author calls the normative sexuality system to the school setting and affective-sexual education. 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A homage to that LGBTQ culture that, even in the grayest Spain, managed to break through by overcoming adversity, dodging censorship, and defeating the distrust of a society still far from tolerant.\u003c\/p\u003e\n\u003cp\u003eThrough nearly a hundred entries arranged like a dictionary, journalist Valeria Vegas compiles a multitude of essential references — and role models — to understand the role played by gay, lesbian, bisexual, trans women and men, drags, transformists, and allies of the community in Spanish culture. A historical journey that begins in the early 1960s with the release of the film Diferente and the appearance of Coccinelle on Madrid’s Gran Vía, passes through the turbulent years of the Transition, and reaches the early 21st century, reminding us that just a decade ago there were still territories of freedom left to conquer.\u003c\/p\u003e\n\u003cp\u003eIn the words of its author, “perhaps this book will serve to do justice to all those careers built on the strength of the stage. Because the history of our LGBTQ culture is still being written, and we must start by organizing what has already happened, precisely and reliably, giving all the role models the place they deserve. 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Besides being part of the collective imagination, cinematic monsters from gothic literature — like Dracula, Frankenstein’s creature, or Mr. Hyde — were among the first examples of \u003cem\u003equeer\u003c\/em\u003e representations on the big screen, always linked to the different, the strange, and everything that challenged heteronormativity.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  From the predominance of negative clichés — psychopathic lesbians, bloodthirsty bisexual vampires, cross-dressing killers, and many more — to the gradual acceptance of diversity, \u003cem\u003eScream Queer\u003c\/em\u003e offers a broad overview of the evolution of LGTBIQ+ representation in the fantasy genre through the analysis of hundreds of films. 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The eternal shine of the Sun of Cantillana is a collective volume coordinated by Carlos Barea that seeks to answer this question through a multidisciplinary look at the life and work of one of the most prominent artists of the Catalan counterculture of the late seventies and early eighties.\u003c\/p\u003e\n\u003cp\u003eWith the intention of shedding some light on a character about whom much has been said but little has been written, the book brings together a great group of authors who have researched his work and everything surrounding his figure: from his almost forced sexile to his obsession with religious imagery in his paintings or performances, including an analysis of the artistic-cultural context in which he operated.\u003c\/p\u003e\n\u003cp\u003eIn addition to texts by people close to Ocaña such as film director Ventura Pons, his close friend Nazario, or an interview with his twin brother, two unpublished documents are included: a biographical account signed by the artist himself and a handwritten letter he wrote to Felipe de Paco.\u003c\/p\u003e\n\u003cp\u003eOcaña. 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This book takes us beyond the makeup and performances, revealing a young man from Baltimore who, after suffering bullying from his peers, found refuge in the unconditional acceptance of filmmaker \u003cstrong\u003eJohn Waters\u003c\/strong\u003e and his eccentric film troupe. Together, they created a space where the marginal became art and provocation.\u003c\/p\u003e\n\u003cp\u003eThis biography, written with the rigor and affection of \u003cstrong\u003eÁlex Ander\u003c\/strong\u003e, explores the life of a disciplined and persevering artist who transformed what society rejected into the foundation of his success. Divine exaggerated the aspects others despised about him and channeled his contained rage into characters that redefined the aesthetics and discourse of 20th-century pop culture. 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This biographical account is a shared memory told firsthand by someone who accompanied him on his moving journey toward equality for more than twenty years, becoming an unparalleled testimony of his fight for equality, his progressive thinking, and his legacy as a defender of human and civil rights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA must-read on the 20th anniversary of the approval of marriage equality.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Author:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMiquel A. Fernández García (Plasencia, 1969) is a public policy consultant, activist, and executive director of the Fundación Pedro Zerolo. With a distinguished career in social activism, he was secretary general of the Federación Estatal de Lesbianas, Gais, Transexuales, Bisexuales, Intersexuales y más (FELGTBI+) and first secretary of CESIDA, as well as general coordinator of Lambda. 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Witches, goddesses, and occultists in the tarot archetypes\u003c\/strong\u003e\u003c\/em\u003e claims the participation\n  of women in the history of occultism through twenty-two portraits that dialogue with the arcana.\n  Artists, poets, mediums, goddesses, and warriors who experienced contact with the supernatural and whose lives\n  illuminate a tradition so often told without them.\n\u003c\/p\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    «In the summer of 2023, a tsunami of enormous proportions shook the global film industry. \n    The release of \u003cem\u003eBarbie\u003c\/em\u003e, by American filmmaker Greta Gerwig, preceded by a massive campaign \n    of marketing, it broke records: it was the most profitable film of the year and the first major box office hit directed by a woman. \n    Beyond the numbers, it became a mass phenomenon that sparked genuine rivers of ink. \n    It is clear that something happened with \u003cem\u003eBarbie\u003c\/em\u003e.»\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003cp\u003e\n  \u003cem\u003eLike it or not, \u003cem\u003eBarbie\u003c\/em\u003e is already part of a defining sense of our time\u003c\/em\u003e: of the intellectual debate \n  its social impact; the cultural re-signification of the doll and the concept of \u003cem\u003eblockbuster\u003c\/em\u003e, to the role \n  feminism in pop narratives and the film industry; and the capacity of capitalism to reinvent itself \n  and capitalize on any idea. \u003cstrong\u003eNot having seen \u003cem\u003eBarbie\u003c\/em\u003e —and not having an opinion— meant being left out of the game.\u003c\/strong\u003e \n  In a society shaped by polarization, the film generated opposing stances and even reached \n  the cultural geopolitics, while Mattel and Warner Bros. took note: a budget of 145 million dollars \n  and, in just four months, over 1.3 billion in revenue.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eThis volume\u003c\/strong\u003e brings together \u003cstrong\u003esix critical articles\u003c\/strong\u003e on the film and its cultural readings, \n  with a clear intention: \u003cstrong\u003eto ground a phenomenon\u003c\/strong\u003e that goes far beyond the doll that inspires it.\n\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat you will find\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSix critical and complementary perspectives.\u003c\/li\u003e\n  \u003cli\u003eContext on marketing, box office, and reception.\u003c\/li\u003e\n  \u003cli\u003eDebates on pop feminism, \u003cem\u003eblockbuster\u003c\/em\u003e, and mass culture.\u003c\/li\u003e\n  \u003cli\u003eThe re-signification of \u003cem\u003eBarbie\u003c\/em\u003e in 2023 and its social impact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eAbout the authors\u003c\/h3\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eEduardo Guillot\u003c\/strong\u003e has been a cultural journalist since the late eighties. Member of the programming team \n  of the Filmoteca de Valencia (2000–2005) and author of about twenty books on music, cinema, and popular culture. \n  He has worked as a programmer at various international festivals and between 2018 and 2024 was Artistic Director \n  of the Mostra de València – Cinema del Mediterrani.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eEulàlia Iglesias\u003c\/strong\u003e is a journalist specialized in cinema and audiovisuals. She collaborates with \n  \u003cem\u003eCaimán Cuadernos de Cine\u003c\/em\u003e, \u003cem\u003eFotogramas\u003c\/em\u003e, \u003cem\u003eAra\u003c\/em\u003e, \u003cem\u003eFilmtopia\u003c\/em\u003e and \u003cem\u003eRockdelux\u003c\/em\u003e. \n  Professor of Film and Television Theory and Analysis at Universitat Rovira i Virgili, she is part of the committee \n  selection committee of the Seminci (Valladolid International Film Week) and the D’A Festival Cinema Barcelona.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eJara Yáñez\u003c\/strong\u003e is director of the magazine \u003cem\u003eCaimán Cuadernos de Cine\u003c\/em\u003e. Professor in the Film Criticism Master’s \n  and regular collaborator of the program «Historia de nuestro cine» (TVE). Graduate in Art History from the University \n  Autonomous University of Madrid and doctor in Film History, she has published works on production, exhibition, and authors such as Isabel Coixet, \n  Pilar Miró or Elías León Siminiani.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eAarón Rodríguez Serrano\u003c\/strong\u003e is a Professor of Audiovisual Communication at Universitat Jaume I. Author of more than a dozen books, \n  among them \u003cem\u003eEspejos en Auschwitz: Apuntes sobre cine y Holocausto\u003c\/em\u003e (Shangrila, 2015), \u003cem\u003eNanni Moretti\u003c\/em\u003e (Cátedra, 2018) \n  and \u003cem\u003eVolver al cine: Pensar, escribir y analizar las películas\u003c\/em\u003e (Solaris, 2024). He collaborates as a critic and produces video essays \n  on the relationships between cinema and philosophy.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eJesús Palacios\u003c\/strong\u003e is a journalist and writer, born in San Lorenzo de El Escorial. With more than two decades of experience, \n  she has worked in press, radio, and television, collaborating with media such as \u003cem\u003eTiempo\u003c\/em\u003e, \u003cem\u003eTribuna\u003c\/em\u003e, \u003cem\u003eInterviú\u003c\/em\u003e, \n  \u003cem\u003eEl Mundo\u003c\/em\u003e, \u003cem\u003eEl Periódico de Catalunya\u003c\/em\u003e or \u003cem\u003eEl Independiente\u003c\/em\u003e. Author of several books, among them \n  \u003cem\u003eLos papeles secretos de Franco\u003c\/em\u003e, with notable critical and sales success.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eMaría Ruido\u003c\/strong\u003e is a visual artist, filmmaker, researcher, and teacher. Professor in the Department of Image \n  from the University of Barcelona. Among her productions stand out the documentary essays \u003cem\u003eLa memoria interior\u003c\/em\u003e (2002), \n  \u003cem\u003eReal time\u003c\/em\u003e (2003), \u003cem\u003eAmphibious fictions\u003c\/em\u003e (2005), \u003cem\u003eL’oeil impératif\u003c\/em\u003e (2015), \n  \u003cem\u003eMater Amatísima\u003c\/em\u003e (2017), \u003cem\u003eEstado de malestar\u003c\/em\u003e (2019) and the performance lecture \u003cem\u003eLas reglas del juego\u003c\/em\u003e (2022). \n  She has participated in numerous exhibition projects in Spain and internationally, and her works are part of the permanent collections \n  from MNCARS, MACBA, CA2M, CGAC and the OVNI Archive.\n\u003c\/p\u003e\n","brand":"Barlin Libros","offers":[{"title":"Default Title","offer_id":55986343706968,"sku":"LIB-BA-BA-302","price":19.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/barbie-seis-miradas-criticas-sobre-la-pelicula-que-agito-la-conversacion-cultural-9482731.jpg?v=1767396955"},{"product_id":"la-mejor-parte-de-los-hombres-tristan-garcia","title":"La mejor parte de los hombres","description":"\u003cp\u003e\n  In 1980s and 1990s Paris, a journalist from \u003cem\u003eLibération\u003c\/em\u003e narrates the extraordinary adventures\n  of Willie, Doumé, and Leibowitz. The first is a young provincial with splendid beauty who becomes\n  the king of the Parisian gay nightlife. The Corsican Doumé was Willie's lover and founder of the first French\n  homosexual liberation movement. Leibo, the narrator's married lover, is a young philosopher who starts aligned with the divine left\n  and ends his career in a ministry.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  Willie contracts AIDS and becomes a media figure on the edge of the grotesque, and a wild and furious enemy of Doumé.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cem\u003eLa mejor parte de los hombres\u003c\/em\u003e is Tristan Garcia's first novel, and it strongly attracted the interest of the press\n  and the public from the moment of its publication. With a direct style and an approach unrelated to the popular autobiographical genres,\n  Garcia — who by age could not have known the years he depicts — evokes that era with surprising effectiveness and vividness.\n\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    \"With \u003cem\u003eLa mejor parte de los hombres\u003c\/em\u003e, his first novel, Tristan Garcia establishes himself as the literary revelation of the year.\n    His story of the eighties and nineties, between the homosexual scene and the new philosophers, is a magnificent moral tale\n    of universal scope.\" — \u003cem\u003eNelly Kaprièlian\u003c\/em\u003e.\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    \"Garcia skillfully describes the intellectual recompositions of the past two decades: the last gasp of utopias,\n    the left's conversion to capitalism, the transformations of activism, the significance of fractures within\n    the gay community, embodied by the hatred between Dominique and William. With great courage, he takes on recent history\n    and offers, beyond the fate of his characters, a true novel of ideas, something very rare in French literature.\"\n    — \u003cem\u003eJean Hurin, Le Magazine littéraire\u003c\/em\u003e.\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    \"In France, writers rarely venture into the territory of contemporary history. Tristan Garcia is not afraid\n    to make a political reading of the debates sparked by AIDS in the nineties. He knows how to novelize in an engaging way those\n    years we thought empty, ugly, and useless and, in a modern manner, both funny, cruel, and pathetic, he paints the portrait of\n    familiar characters who move us almost unintentionally.\" — \u003cem\u003eFrançois Ozon, Les Inrockuptibles\u003c\/em\u003e.\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    \"A cruel and dark lucidity. A revelation.\" — \u003cem\u003eChristine Rousseau, Le Monde\u003c\/em\u003e.\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    \"An intense and rough novel like contraband alcohol.\" — \u003cem\u003eClaude Arnaud, Le Point\u003c\/em\u003e.\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003cblockquote\u003e\n  \u003cp\u003e\n    \"The birth of a true writer.\" — \u003cem\u003eDominique Fernandez, Le Nouvel Observateur\u003c\/em\u003e.\n  \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\n\u003ch4\u003eAbout the author\u003c\/h4\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eTristan Garcia\u003c\/strong\u003e (Toulouse, 1981) is a French writer and philosopher. He became known suddenly\n  with his first novel, \u003cem\u003eLa mejor parte de los hombres\u003c\/em\u003e, which won the \u003cstrong\u003ePrix de Flore\u003c\/strong\u003e (2008)\n  and established him as one of the most promising voices of his generation. His work — both narrative and essay —\n  explores themes such as identity, politics, mass culture, and the tensions between desire, fame, and media power. In addition to his literary work,\n  he carries out intense intellectual activity in the field of contemporary thought.\n\u003c\/p\u003e","brand":"Editorial Anagrama","offers":[{"title":"Default Title","offer_id":55987167101272,"sku":"LIB-LA-ED-304","price":20.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/la-mejor-parte-de-los-hombres-tristan-garcia-2954670.jpg?v=1767396934"},{"product_id":"pasion-y-deseo-roy-del-postigo","title":"PASIÓN Y DESEO","description":"\u003cp\u003e\n  \u003cstrong\u003ePassion and Desire. Songs, Bodies, and Resilience in Andalusian Folklore\u003c\/strong\u003e is a journey into the ways\n  in which Andalusian popular culture has been—and continues to be—a space for expression and resistance for dissidents.\n  Combining art history, poetic sensitivity, academic research, and sentimental memory,\n  \u003cem\u003eRoy del Postigo\u003c\/em\u003e unravels the echoes of a tradition that, beyond mistaken and self-interested interpretations,\n  has been a refuge and altar for those who have lived on the margins.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  The figure of \u003cem\u003eIsabel Pantoja\u003c\/em\u003e, a tonadillera by the grace, duende, and spirit of Andalusia, whose musical career\n  runs parallel to the last five decades of Spain’s history, becomes a starting point and beacon.\n  The voice of the singer of \u003cem\u003e«Marinero de luces»\u003c\/em\u003e or \u003cem\u003e«Se me enamora el alma»\u003c\/em\u003e calls, in many of her songs,\n  to those who identify with whispers, stigmatization, criticism, and misunderstanding.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  Pin-cushion maricones on the chests of virginal divas, ladies of their duties who are \u003cem\u003eatacás\u003c\/em\u003e from holding on too long,\n  sapphic Rocío friends, \u003cem\u003etrans-Maribelas\u003c\/em\u003e, travestis from La Nogalera, and a whole array of dissident figures from the South\n  accompany Isabel on her pilgrimage of songs turned paths of liberation.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  But the story neither begins nor ends with her: Southern folklore was already weaving—and continues to weave—a flamenco dress\n  made with desires and subversive gestures on the skin of artists like \u003cem\u003eLola Flores\u003c\/em\u003e, \u003cem\u003eMarifé de Triana\u003c\/em\u003e,\n  \u003cem\u003eDiana Navarro\u003c\/em\u003e, \u003cem\u003eMaría Peláe\u003c\/em\u003e, and \u003cem\u003ePastora Soler\u003c\/em\u003e. Musical icons who have been and will be inspiration\n  for drag performers like \u003cem\u003eLa Esmeralda de Sevilla\u003c\/em\u003e, \u003cem\u003eSatin Greco\u003c\/em\u003e, and \u003cem\u003eJota Carajota\u003c\/em\u003e.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  With great doses of erudition and an art that takes away the \u003cem\u003esentío\u003c\/em\u003e, \u003cem\u003eRoy del Postigo\u003c\/em\u003e offers a work in which the South\n  is not just a postcard landscape, but a political, creative, and spiritual force guided by the Andalusian Dolorosas,\n  folkloric and subaltern.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  A book that is, at the same time, an essay, an altar of coplas, and a love letter to those who turned art into freedom.\n  Because in these songs, identity is embroidered with sequins and paraded in procession.\n\u003c\/p\u003e","brand":"Dos Bigotes","offers":[{"title":"Default Title","offer_id":56026530808152,"sku":"LIB-PA-DO-311","price":22.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/pasion-y-deseo-roy-del-postigo-6646707.jpg?v=1767396896"},{"product_id":"cruising-historia-alex-espinoza-libro","title":"Cruising: Historia íntima de un pasatiempo radical","description":"\u003cp\u003e\n  In \u003cem\u003eCruising: historia íntima de un pasatiempo radical\u003c\/em\u003e, \u003cem\u003eAlex Espinoza\u003c\/em\u003e takes readers on an uncensored journey through the timeless art of \u003cem\u003ecruising\u003c\/em\u003e. Combining historical research, oral history, and personal experience, Espinoza examines the political and cultural forces behind this radical pastime.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  From ancient Greece to the famous \u003cem\u003emolly houses\u003c\/em\u003e — or “casas de maricas” — of 18th-century England; from the scandalous seventies to the algorithms of \u003cem\u003eGrindr\u003c\/em\u003e and the cases of \u003cem\u003eOscar Wilde\u003c\/em\u003e and \u003cem\u003eGeorge Michael\u003c\/em\u003e, \u003cem\u003ecruising\u003c\/em\u003e remains a claim to public space and a way to create a unique place where men of all races and classes interact, even under the shadow of repressive governments.\n\u003c\/p\u003e","brand":"Dos Bigotes","offers":[{"title":"Default Title","offer_id":56026794099032,"sku":"LIB-CR-DO-312","price":19.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/cruising-historia-intima-de-un-pasatiempo-radical-alex-espinoza-6160088.jpg?v=1767396976"},{"product_id":"the-queer-face-of-war-ukraine","title":"The Queer Face of War: Portraits and Stories from Ukraine","description":"\u003ch2\u003eThe Queer Face of War: Portraits and Stories from Ukraine\u003c\/h2\u003e\n\u003cp\u003eThe experiences of queer people during times of war have largely been invisible. Portraits like those gathered in this book are rare because most recent conflicts have taken place in places where coming out is dangerous. But the Russian invasion of Ukraine is different: queer people have become a visible part of the war effort, continuing the fight for their rights while also fighting for their country.\u003c\/p\u003e\n\u003cp\u003eIn Ukraine, queer freedom and the defense of democracy are deeply intertwined. Russian President Vladimir Putin has partly framed the war as a battle to protect “traditional values,” making this conflict the \u003cstrong\u003efirst war in which a global superpower invades its neighbor with the explicit goal of reversing LGBTQ+ rights\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAward-winning photographer and journalist \u003cstrong\u003eJ. Lester Feder\u003c\/strong\u003e shows \u003cem\u003ethe queer face of war\u003c\/em\u003e in this extraordinary collection of striking portraits and moving profiles.\u003c\/p\u003e","brand":"Verlag Kettler","offers":[{"title":"Default Title","offer_id":56071134151000,"sku":"LIB-TH-VE-317","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/the-queer-face-of-war-retratos-e-historias-desde-ucrania-9628882.jpg?v=1767396862"},{"product_id":"freaks-out-tarados-raros-inadaptados","title":"FREAKS OUT!: Tarados, raros e inadaptados","description":"\u003ch3\u003eFREAKS OUT!: Freaks, Weirdoes, and Misfits\u003c\/h3\u003e\n\u003ch3\u003eThe Rise and Fall of Rock and Roll as It Should Be\u003c\/h3\u003e\n\n\u003cp\u003e\n  This is a book about \u003cem\u003efreaks\u003c\/em\u003e and for \u003cem\u003efreaks\u003c\/em\u003e, crafted by a major \u003cem\u003efreak\u003c\/em\u003e.\n  In his latest madness, Luke Haines composes a secret and underground history of rock through its most eminent eccentrics.\n  With maddening and sharp humor and prodigious clarity, the former leader of The Auteurs and Black Box Recorder —among many other\n  incarnations— signs a memorable manifesto and probably one of the funniest volumes in music literature.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  Crawling through these pages are oddballs like Gene Vincent, The Shadows, The Incredible String Band, Jim Morrison,\n  T. Rex, Gary Glitter, Lou Reed, Morrissey, The Fall, The Go-Betweens, the Manson girls, and a bunch of wrestling villains\n  dressed in leotards, among other creepy creatures. \u003cem\u003eFreaks Out!\u003c\/em\u003e is a glorious celebration of otherness\n  and anomaly, and it is by no means suitable reading for normal people.\n\u003c\/p\u003e","brand":"Contra","offers":[{"title":"Default Title","offer_id":56099920052568,"sku":"LIB-FR-CO-319","price":22.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/freaks-out-tarados-raros-e-inadaptados-2001963.jpg?v=1767396843"},{"product_id":"chica-contra-chica-sophie-gilbert","title":"Chica contra chica: Cómo la cultura pop enfrentó a una generación de mujeres contra sí mismas","description":"\u003cp data-start=\"389\" data-end=\"962\"\u003eIn the late nineties and early two thousands, many teenage girls grew up with the \u003cem data-start=\"485\" data-end=\"498\"\u003eSpice Girls\u003c\/em\u003e playing in the background, going to the movies to see \u003cem data-start=\"529\" data-end=\"546\"\u003eAmerican Beauty\u003c\/em\u003e or \u003cem data-start=\"549\" data-end=\"562\"\u003eScary Movie\u003c\/em\u003e, devouring music videos and youth magazines full of Britney Spears and reality TV stars. That feeling of empowerment from showing a thong coexisted with a much less innocent message: mainstream representations of young women were preparing, almost without us realizing it, a rollback of feminism and a loss of rights for future generations.\u003c\/p\u003e\n\u003cp data-start=\"964\" data-end=\"1439\"\u003eIn \u003cem data-start=\"967\" data-end=\"1062\"\u003eGirl on Girl: How Pop Culture Turned a Generation of Women Against Themselves\u003c\/em\u003e, Sophie Gilbert, a 2022 Pulitzer Prize finalist, takes a thorough look at the popular culture of the turn of the millennium. She analyzes teen pop, \u003cem data-start=\"1222\" data-end=\"1235\"\u003eheroin chic\u003c\/em\u003e, reality TV, and the explosion of internet pornography, and how that global presence seeped into the collective consciousness until normalizing a low-intensity but extremely impactful misogyny.\u003c\/p\u003e\n\u003cp data-start=\"1441\" data-end=\"1844\"\u003eGilbert shows how that cultural climate was the seed of regressions we now clearly recognize: Trump’s reelection, the rollback of reproductive rights, the rise of the \u003cem data-start=\"1631\" data-end=\"1641\"\u003etradwife\u003c\/em\u003e phenomenon, or incel violence did not appear out of nowhere but are supported by decades of narratives that pitted girls against each other and put their bodies at the center of spectacle, mockery, and control.\u003c\/p\u003e\n\u003cp data-start=\"1846\" data-end=\"2252\"\u003eThis essay offers genuine violet glasses to read the cultural dynamics of the past and present. Understanding the ways women have been denigrated and dissected helps identify and neutralize those attacks today: after closing the book, what remains is a tool of cultural self-defense to look at music videos, social media, media, and political discourse with new eyes.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp data-start=\"1846\" data-end=\"2252\"\u003e\u003cspan\u003e“In Girl on Girl, Sophie Gilbert delivers a raw analysis of how the cultural currents of the 90s and 2000s, both on and offline, harmed young women in a dark and profound way.”\u003c\/span\u003e\u003cbr data-start=\"2607\" data-end=\"2610\"\u003e\u003cspan\u003eMaya Salam, \u003c\/span\u003e\u003cem data-start=\"2624\" data-end=\"2644\"\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch4 data-start=\"1846\" data-end=\"2252\"\u003e\u003cem data-start=\"2624\" data-end=\"2644\"\u003eAbout the author:\u003c\/em\u003e\u003c\/h4\u003e\n\u003cp data-start=\"1846\" data-end=\"2252\"\u003e\u003cem data-start=\"2624\" data-end=\"2644\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003eSophie Gilbert\u003c\/strong\u003e is a British journalist and cultural critic. She is a staff writer at \u003c\/span\u003e\u003cem data-start=\"127\" data-end=\"141\"\u003eThe Atlantic\u003c\/em\u003e\u003cspan\u003e, where she writes about television, books, and pop culture, and has received the 2024 National Magazine Award for Reviews and Criticism, as well as being a 2022 Pulitzer Prize finalist for Criticism. 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Through the sharp wit and the ironic yet affectionate gaze of its author, we will learn the anecdotes, curiosities, and everything that made this unique and pioneering breed of women so special—whether we like it or not, for better or worse, they are our heritage and our culture, our history and our brand.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\"This is not a manual for flamencologists, purists, or scholars, who might from the start question the vindication of some of them, but rather a review of the life and work of twenty-seven women who stood out in copla and national folklore. They were the soundtrack of a changing country, in constant transformation, expressing the rawest emotions and the most passionate feelings. The figure of the folkloric woman reaches us today in the form of an emoji and a fridge magnet, as clear evidence of her impact on the collective imagination. 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From Pamela Anderson and Britney Spears to Jessica Rabbit or La Veneno, the author revisits punished cultural icons and rereads them as figures of resistance, desire, and excess.\u003c\/p\u003e\n\u003cp data-end=\"1648\" data-start=\"1122\"\u003eThe book intertwines these pop images with her own story: a childhood as a Jehovah’s Witness, a turbulent adolescence, and motherhood shaped by expectations about what a “good mother” should be. Alongside media references appear the biblical figures of Jezebel and Salome, the harpies, the sirens, and other “monstrous women” that tradition has built as warnings against dangerously seductive women. The result is a clear-eyed and unapologetic defense of the \u003cem data-end=\"1624\" data-start=\"1617\"\u003efemme\u003c\/em\u003e in all its forms.\u003c\/p\u003e\n\u003cp data-end=\"2274\" data-start=\"1650\"\u003eHalfway between cultural essay and autobiographical narrative, \u003cem data-end=\"1772\" data-start=\"1718\"\u003eMe dibujaron así. Por qué el mundo odia la feminidad\u003c\/em\u003e dismantles the discourses that reduce femininity to submission and docility. In a context where “new masculinities” are endlessly theorized, this book shifts the focus and considers how rape culture is precisely sustained by hatred of the feminine. It is also a celebration of everything labeled as “girly,” from bimbos and transvestites to chonis, whores, or gypsy women, reclaiming femininity as a political identity, pleasure, and battleground.\u003c\/p\u003e\n\u003ch4 data-end=\"2274\" data-start=\"1650\"\u003eAbout the author\u003c\/h4\u003e\n\u003cp data-end=\"2274\" data-start=\"1650\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNoemí López Trujillo (Bilbao, 1988) is a journalist and writer, specializing in social and gender issues. 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It also addresses the idealization of romantic love, intragender violence, monogamy and non-monogamy, routine, passion, and long-distance relationships, as well as the keys to knowing how and when to end a relationship, if necessary.\u003c\/p\u003e\n\u003cp data-start=\"821\" data-end=\"1096\"\u003eMore than a quick recipe book, this manual proposes a journey through the strengths, challenges, and opportunities of couples formed by lesbian and bisexual women. All of this without myths or moralizing, with clear information and many practical tools to think about (and with) your partner.\u003c\/p\u003e\n\u003cp data-start=\"1098\" data-end=\"1356\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cem data-start=\"1098\" data-end=\"1138\"\u003eManual de guerra para parejas lésbicas\u003c\/em\u003e offers resources to better understand yourself in a relationship, improve your connection with your girl, or simply understand a little more about how lesbian and bisexual women relate to each other.\u003c\/p\u003e","brand":"Egales","offers":[{"title":"Default Title","offer_id":56328552612184,"sku":"LIB-MA-EG-351","price":21.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/manual-de-guerra-para-parejas-lesbicas-espe-lopez-4640579.jpg?v=1764842293"},{"product_id":"guia-para-la-convivencia-neurodivergente","title":"Guía para la convivencia neurodivergente","description":"\u003cp data-start=\"604\" data-end=\"947\"\u003eDiscover how to create a cozy and harmonious space in your home with this guide. Aimed at both neurodivergent and neurotypical people, you will find resources to improve coexistence, manage conflicts, and meet individual needs. Learn strategies that will help you maintain an atmosphere of calm and care in your home.\u003c\/p\u003e\n\u003cp data-start=\"949\" data-end=\"1497\"\u003e\u003cem data-start=\"949\" data-end=\"991\"\u003eGuide to Neurodivergent Coexistence\u003c\/em\u003e offers a clear and practical approach to building agreements, routines, and spaces that respect different sensitivities within the home. Throughout the book, communication tools, conflict prevention, and daily care are combined with an inclusive perspective on neurodivergent and neurotypical experiences. The book is written by Zoe García and Lai Covas, members of the Col·lectiu Argelaga team, where they develop educational and community projects related to diversity and inclusion.\u003c\/p\u003e\n\u003ch3 data-start=\"1499\" data-end=\"1517\"\u003eAbout the authors:\u003c\/h3\u003e\n\u003cp data-start=\"1519\" data-end=\"1947\"\u003e\u003cstrong\u003eZoe García\u003c\/strong\u003e\u003cbr data-start=\"1529\" data-end=\"1532\"\u003eBetween creation and outreach, Zoe García works around neurodivergences and trans realities. He is a musician, writer, and biologist specialized in gender. He is the author of \u003cem data-start=\"1697\" data-end=\"1770\"\u003eAutigénero. El espectro de las disidencias: autismo e identidades trans\u003c\/em\u003e and co-author of this guide. 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He is part of the Col·lectiu Argelaga team, where he participates in the design and development of educational and community initiatives.\u003c\/p\u003e","brand":"Independiente","offers":[{"title":"Default Title","offer_id":56509021782360,"sku":"LIB-GU-IN-385","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/guia-para-la-convivencia-neurodivergente_01_4c78f69a-2be1-4007-a86a-288d93497ac5.jpg?v=1768039262"},{"product_id":"autigenero-el-espectro-de-las-disidencias-autismo-e-identidades-trans","title":"Autigénero. El espectro de las disidencias: autismo e identidades trans","description":"\u003cp\u003eWe deserve a narrative written from the margins and for those of us who inhabit such margins to have a voice about our experiences and realities. We deserve to understand how our identities intersect with each other and with an oppressive world that excludes and pressures us.\u003cbr\u003e\u003cbr\u003eThis work talks about the intersection between autistic and trans identities, seeking to capture the challenges experienced by people living with this intersection when developing our identities.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis is for you all, but also for those who do not see your reality reflected in these pages but may find it useful to understand that of others.\u003c\/p\u003e\n\u003ch4 data-start=\"604\" data-end=\"947\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eAbout the author:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp data-end=\"329\" data-start=\"0\"\u003eZoe García is a writer, musician, and biologist specialized in gender. A non-binary trans person, bisexual and autistic. Works between creation and dissemination, with an active presence on social media, where they share content about neurodivergences, trans realities, and diversity, \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003efrom a personal, pedagogical, and critical perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"714\" data-start=\"331\"\u003eHis work moves between poetry and essay, and is also linked to education, management, and cultural production. He is part of the Col·lectiu Argelaga team, an organization that promotes educational actions, support, and projects related to diversity and inclusion. Activist in class struggle spaces, feminist and anti-ableist. Always in constant deconstruction.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"738\" data-start=\"716\"\u003eInstagram: \u003ca rel=\"noopener\" title=\"@zoe.grks\" href=\"https:\/\/www.instagram.com\/zoe.grks\/\" target=\"_blank\"\u003e\u003cem data-is-last-node=\"\" data-end=\"738\" data-start=\"727\"\u003e@zoe.grks\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Domínguez","offers":[{"title":"Default Title","offer_id":56509024698712,"sku":"LIB-AU-DO-386","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/autigenero-el-espectro-de-las-disidencias1.jpg?v=1768061497"},{"product_id":"fanzine-sobre-la-muerte-zoe-garcia","title":"Fanzine sobre la muerte","description":"\u003cp\u003eDeath in a network of anxious attachments that never learned to let go.\u003c\/p\u003e\n\u003cp\u003eDeath from the perspective of someone who only accepts their own death but does not tolerate that of others. Who refuses to accept the obvious and inevitable.\u003c\/p\u003e\n\u003cp\u003eThis fanzine is part of a personal process of reflection on death, which takes the form of poetic prose expelled in sad drops after various deaths experienced very closely.\u003c\/p\u003e\n\u003cp\u003eThis fanzine is a piece of my fear of the unknown of death. A cry for the people who have left my side. A desperate scream in the face of so much death that I neither accept nor understand. That I do not accept because I do not understand. Or that I neither accept nor understand because I do not want to.\u003c\/p\u003e\n\u003ch4 data-start=\"604\" data-end=\"947\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eAbout the author:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp data-end=\"329\" data-start=\"0\"\u003eZoe García is a writer, musician, and biologist specialized in gender. A non-binary trans person, bisexual and autistic. He works between creation and dissemination, with an active presence on social media, where he shares content about neurodivergences, trans realities, and diversity, \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003efrom a personal, pedagogical, and critical perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"714\" data-start=\"331\"\u003eHis work moves between poetry and essay, and is also linked to education, management, and cultural production. He is part of the Col·lectiu Argelaga team, an organization that promotes educational actions, support, and projects related to diversity and inclusion. Activist in class struggle spaces, feminist and anti-ableist. Always in constant deconstruction.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"738\" data-start=\"716\"\u003eInstagram: \u003ca rel=\"noopener\" title=\"@zoe.grks\" href=\"https:\/\/www.instagram.com\/zoe.grks\/\" target=\"_blank\"\u003e\u003cem data-is-last-node=\"\" data-end=\"738\" data-start=\"727\"\u003e@zoe.grks\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Independiente","offers":[{"title":"Default Title","offer_id":56509609673048,"sku":"LIB-FA-IN-387","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/Fanzine-sobre-la-muerte--Zoe-Garcia_01.jpg?v=1768047938"},{"product_id":"12-cosas-que-no-deberias-decirle-a-una-persona-trans-zoe-garcia","title":"12 cosas que no deberías decirle a una persona trans","description":"\u003cp\u003eA practical and simple guide to learn how to avoid transphobic attitudes and generate a knowledge base about the concepts surrounding trans realities.\u003c\/p\u003e\n\u003cp\u003eIncludes a small glossary that defines basic concepts such as trans, cis, gender expression, and other concepts necessary to understand this guide to kick out transphobia.\u003c\/p\u003e\n\u003ch4 data-start=\"604\" data-end=\"947\"\u003e\n\u003cstrong style=\"font-size: 0.875rem;\"\u003eAbout the author:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp data-end=\"329\" data-start=\"0\"\u003eZoe García is a writer, musician, and biologist specialized in gender. A non-binary trans person, bisexual and autistic. Works between creation and dissemination, with an active presence on social media, where they share content about neurodivergences, trans realities, and diversity, \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003efrom a personal, pedagogical, and critical perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"714\" data-start=\"331\"\u003eHis work moves between poetry and essay, and is also linked to training, management, and cultural production. He is part of the Col·lectiu Argelaga team, an entity that promotes educational actions, support, and projects related to diversity and inclusion. Activist in class struggle spaces, feminist and anti-ableist. Always in constant deconstruction.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"738\" data-start=\"716\"\u003eInstagram: \u003ca rel=\"noopener\" title=\"@zoe.grks\" href=\"https:\/\/www.instagram.com\/zoe.grks\/\" target=\"_blank\"\u003e\u003cem data-is-last-node=\"\" data-end=\"738\" data-start=\"727\"\u003e@zoe.grks\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Independiente","offers":[{"title":"Default Title","offer_id":56512791871832,"sku":"LIB-12-IN-390","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/12-cosas-que-no-deberias-decirle-a-una-persona-trans_Plastic-Books_616ea87a-575c-4773-b1ce-8ba88a1f2a1a.jpg?v=1768142199"},{"product_id":"otra-historia-del-arte-el-barroquista-no-pasa-nada-si-no-te-gustan-las-meninas-somos-b","title":"Otra historia del arte: No pasa nada si no te gustan Las meninas","description":"\u003cp\u003eThe History of Art with one of Spain’s great popularizers: @ElBarroquista.\u003c\/p\u003e\u003cp\u003eAnyone who has visited a museum or flipped through a book about art will have heard or read grandiose and categorical phrases like “We are facing the great masterpiece of the 20th century,” “This artist is a genius,” or “That painting changed the world.” This conception of artistic creation—based on accepting a pre-established canon that favors certain styles and elevates specific names—far from encouraging learning and making art more accessible, has constrained the enjoyment of the general public and shaped their taste.\u003c\/p\u003e\u003cp\u003eIn this book, art historian Miguel Ángel Cajigal Vera—known as El Barroquista in his outreach work—proposes a new way to approach this discipline and invites us to enjoy art without prejudice and with complete freedom.\u003c\/p\u003e\u003cp\u003eOtra historia del arte is a stimulating essay that opens the doors to the author’s personal museum, where we will discover fascinating stories and very personal works, such as those by Maurizio Cattelan, Teresa Margolles, Piero Manzoni, or Fiona Banner, alongside well-known pieces by Guo Xi, Frida Kahlo, or Artemisia Gentileschi.\u003c\/p\u003e\u003cp\u003eAnd after finishing the reading, we will understand why it’s okay if we don’t like Las meninas.\u003c\/p\u003e","brand":"PLAN B","offers":[{"title":"Default Title","offer_id":56569978192216,"sku":"LIB-OT-PL-426","price":18.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/9788418051258.jpg?v=1768957019"},{"product_id":"quiero-y-no-puedo-una-historia-de-los-pijos-de-espana","title":"Quiero y no puedo: Una historia de los pijos de España","description":"\u003cp data-start=\"65\" data-end=\"392\"\u003eAn X-ray of pijo culture in Spain, from the 19th-century landed gentry to the cayetanos, including the \u003cem data-start=\"173\" data-end=\"188\"\u003egauche divine\u003c\/em\u003e and the yeyé. A revealing essay on a phenomenon that goes far beyond the archetype and helps to understand, with a sharp perspective, the true background of class struggle in Spanish society.\u003c\/p\u003e\n\u003cp data-start=\"394\" data-end=\"426\"\u003e\u003cstrong data-start=\"394\" data-end=\"426\"\u003eMilestones of “lo pijo” in Spain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"427\" data-end=\"1287\"\u003e\n\u003cli data-start=\"427\" data-end=\"488\"\u003e\n\u003cp data-start=\"429\" data-end=\"488\"\u003e\u003cstrong data-start=\"429\" data-end=\"437\"\u003e1853\u003c\/strong\u003e Eugenia de Montijo orders her first Louis Vuitton.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"489\" data-end=\"551\"\u003e\n\u003cp data-start=\"491\" data-end=\"551\"\u003e\u003cstrong data-start=\"491\" data-end=\"499\"\u003e1910\u003c\/strong\u003e Alfonso XIII popularizes summer vacations in the north.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"552\" data-end=\"637\"\u003e\n\u003cp data-start=\"554\" data-end=\"637\"\u003e\u003cstrong data-start=\"554\" data-end=\"562\"\u003e1950\u003c\/strong\u003e Franco’s daughter marries Cristóbal Martínez Bordiú, the “pollopera.”\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"638\" data-end=\"703\"\u003e\n\u003cp data-start=\"640\" data-end=\"703\"\u003e\u003cstrong data-start=\"640\" data-end=\"648\"\u003e1963\u003c\/strong\u003e Marisol wears a Dior dress in \u003cem data-start=\"687\" data-end=\"700\"\u003eRumbo a Río\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"704\" data-end=\"744\"\u003e\n\u003cp data-start=\"706\" data-end=\"744\"\u003e\u003cstrong data-start=\"706\" data-end=\"714\"\u003e1965\u003c\/strong\u003e Bocaccio opens in Barcelona.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"745\" data-end=\"795\"\u003e\n\u003cp data-start=\"747\" data-end=\"795\"\u003e\u003cstrong data-start=\"747\" data-end=\"755\"\u003e1970\u003c\/strong\u003e Julio Iglesias inaugurates Puerto Banús.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"796\" data-end=\"838\"\u003e\n\u003cp data-start=\"798\" data-end=\"838\"\u003e\u003cstrong data-start=\"798\" data-end=\"806\"\u003e1980\u003c\/strong\u003e First Don Algodón sweatshirt.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"839\" data-end=\"899\"\u003e\n\u003cp data-start=\"841\" data-end=\"899\"\u003e\u003cstrong data-start=\"841\" data-end=\"849\"\u003e1986\u003c\/strong\u003e Hombres G bring the word “pijo” to the masses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"900\" data-end=\"964\"\u003e\n\u003cp data-start=\"902\" data-end=\"964\"\u003e\u003cstrong data-start=\"902\" data-end=\"910\"\u003e1992\u003c\/strong\u003e Isabel Preysler and Miguel Boyer buy Villa Meona.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"965\" data-end=\"1018\"\u003e\n\u003cp data-start=\"967\" data-end=\"1018\"\u003e\u003cstrong data-start=\"967\" data-end=\"975\"\u003e2002\u003c\/strong\u003e Aznar’s daughter gets married in El Escorial.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1019\" data-end=\"1069\"\u003e\n\u003cp data-start=\"1021\" data-end=\"1069\"\u003e\u003cstrong data-start=\"1021\" data-end=\"1029\"\u003e2003\u003c\/strong\u003e Real Madrid signs David Beckham.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1070\" data-end=\"1169\"\u003e\n\u003cp data-start=\"1072\" data-end=\"1169\"\u003e\u003cstrong data-start=\"1072\" data-end=\"1080\"\u003e2011\u003c\/strong\u003e Cayetano Martínez de Irujo: “Andalusian day laborers have little desire to work.”\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1170\" data-end=\"1250\"\u003e\n\u003cp data-start=\"1172\" data-end=\"1250\"\u003e\u003cstrong data-start=\"1172\" data-end=\"1180\"\u003e2016\u003c\/strong\u003e Felipe Juan Froilán de Todos los Santos comes of age.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1251\" data-end=\"1287\"\u003e\n\u003cp data-start=\"1253\" data-end=\"1287\"\u003e\u003cstrong data-start=\"1253\" data-end=\"1261\"\u003e2023\u003c\/strong\u003e The “cayeborroka” erupts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1289\" data-end=\"1580\"\u003eRaquel Peláez explores these moments with a deeply analytical and sharp gaze to tell the story of a country dazzled by appearances, where the imagery of sailboats, hunts, cocktails, and luxury handbags coexists with increasingly visible and distressing social inequality.\u003c\/p\u003e\n\u003cp data-start=\"1582\" data-end=\"2073\"\u003eWhen Spain fully integrated into the free market economy and adopted the consumption habits of so-called “free” societies, a social archetype appeared that would never leave the collective imagination: the pijo. Those cheerful, carefree, and consumerist young people, neither left nor right, who went to Hombres G concerts wearing pastel-colored sweaters and fluorescent down jackets, were the friendly face of the welfare state and the promise of a world without problems.\u003c\/p\u003e\n\u003cp data-start=\"2075\" data-end=\"2522\"\u003eOver the following decades, pijismo has mutated into countless variants, so subtle and elusive that, already in the 21st century, it only finds a representation as pure and caricatured as the original: the cayetano. Its symbolic universe retains the soft hedonism of the eighties but adds elements that speak of the triumph of neoliberalism, nostalgia for the times of the landed gentry, and friction with new urban tribes.\u003c\/p\u003e\n\u003cp data-start=\"2524\" data-end=\"2964\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAnd, deep down, the question remains: what exactly is a pijo? Are there “real” and “fake” pijos? Is a pijo always right-wing? Is being pijo the same as being rich? How many types of pijos are there? In a society obsessed with image, money, and success, aren’t we all, at some point, suspects of pijismo? And why has “pijo” gone from being an insult to an adjective that many dream of being able to claim?\u003c\/p\u003e","brand":"Blackie Books","offers":[{"title":"Default Title","offer_id":56569978782040,"sku":"LIB-QU-BL-427","price":21.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/9788410025233.jpg?v=1768957020"},{"product_id":"trans-un-alegato-por-un-mundo-mas-justo-y-mas-libre-blackie-books","title":"Trans: Un alegato por un mundo más justo y más libre","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"f39aa155-358d-4527-a73c-6f8c0e147f82\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"1d611990-5eb5-4872-9916-f096050d4863\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"41\"\u003e\u003cstrong\u003eWHY IS EVERYONE TALKING ABOUT TRANS?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"43\" data-end=\"419\"\u003eAt first glance, this interest, as recent as it is loud, in the liberation of a minority might seem surprising. However, the media spotlight has been filled with a partisan and often misinformed debate, focused on hypothetical risks and anecdotal cases, which ends up sidelining the essential: the suffering, daily life, and dignity of trans people.\u003c\/p\u003e\n\u003cp data-start=\"421\" data-end=\"790\"\u003eThis book offers a solid foundation to understand the discussion, but above all, to change the starting point: listening. Because the trans issue is not exhausted in scenes repeated ad nauseam, the sports locker room, the bathroom of a bar. It talks about housing, healthcare, work, love, and survival. It ultimately talks about the world we want to live in.\u003c\/p\u003e\n\u003cp data-start=\"792\" data-end=\"842\"\u003eTHE DEFINITIVE ESSAY ON THE TRANSGENDER ISSUE\u003c\/p\u003e\n\u003cp data-start=\"844\" data-end=\"914\"\u003e«A monumental work on how the world should be.»\u003cbr data-start=\"898\" data-end=\"901\"\u003eJudith Butler\u003c\/p\u003e\n\u003cp data-start=\"916\" data-end=\"1016\"\u003e«Shon Faye bravely and clearly shows us that the trans struggle is everyone's struggle.»\u003cbr data-start=\"1003\" data-end=\"1006\"\u003eOwen Jones\u003c\/p\u003e\n\u003cp data-start=\"1018\" data-end=\"1369\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe approval of the Trans Law in Spain triggered a high-voltage controversy, very similar to what has been experienced in other countries. Reading Shon Faye, an absolute reference in Great Britain, helps understand that this is a global and urgent debate, and that addressing it with rigor and humanity is the only way to prevent more people from paying the consequences.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Blackie Books","offers":[{"title":"Default Title","offer_id":56569978814808,"sku":"LIB-TR-BL-428","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/9788418733475.jpg?v=1768957020"},{"product_id":"el-libro-de-ana-maria-matute-antologia-de-literatura-y-vida-blackie-books","title":"El Libro De Ana María Matute: Antología de literatura y vida","description":"\u003cp data-start=\"0\" data-end=\"159\"\u003e“You have to build the world yourself, create steps that lift you up, that get you out of the pit. You have to invent life, because it ends up being true.”\u003c\/p\u003e\n\u003cp data-start=\"161\" data-end=\"492\"\u003eFinally, gathered in a single volume, the life and work of one of the great Spanish writers of the 20th century. An intertwined journey through her lights and silences, accompanied by memories of a very literary and, at the same time, intensely human existence. A book that above all asserts the power of imagination.\u003c\/p\u003e\n\u003cp data-start=\"494\" data-end=\"642\"\u003eThe ideal anthology to delve into a deeply personal, magnetic, and immeasurable universe: that of an essential author in our literature.\u003c\/p\u003e\n\u003cp data-start=\"644\" data-end=\"669\"\u003e\u003cstrong data-start=\"644\" data-end=\"669\"\u003eThis edition includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"670\" data-end=\"1044\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-start=\"670\" data-end=\"706\"\u003e\n\u003cp data-start=\"672\" data-end=\"706\"\u003eMore than 500 full-color pages.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"707\" data-end=\"763\"\u003e\n\u003cp data-start=\"709\" data-end=\"763\"\u003eA carefully crafted edition, with high-quality materials.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"764\" data-end=\"868\"\u003e\n\u003cp data-start=\"766\" data-end=\"868\"\u003eA detailed biography, intertwined with excerpts from the best of her work and anecdotes about her life.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"869\" data-end=\"957\"\u003e\n\u003cp data-start=\"871\" data-end=\"957\"\u003eUnpublished photographs, both personal and of essential objects from her career.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"958\" data-end=\"1044\" data-is-last-node=\"\"\u003e\n\u003cp data-start=\"960\" data-end=\"1044\" data-is-last-node=\"\"\u003ePress clippings, notebook pages, unpublished manuscripts, and much more.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackie Books","offers":[{"title":"Default Title","offer_id":56569984057688,"sku":"LIB-EL-BL-439","price":26.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/9788418187797.jpg?v=1768957198"},{"product_id":"oxigeno-hispanica","title":"Oxígeno","description":"\u003cp data-start=\"0\" data-end=\"157\"\u003eThe most personal book from one of the breakout voices in Spanish literature. A powerful true story about life, love, death, and literature.\u003c\/p\u003e\n\u003cp data-start=\"159\" data-end=\"483\"\u003e«\u003cem data-start=\"160\" data-end=\"169\"\u003eOxígeno\u003c\/em\u003e confirms that Marta Jiménez Serrano belongs to the same literary homeland as Zadie Smith, Nora Ephron, and Joan Didion. An emotional, precise text full of class rage, turning the blink between life and death into a universe of possibilities, into life itself refusing to give up.» Alana Portero\u003c\/p\u003e\n\u003cp data-start=\"485\" data-end=\"543\"\u003e«Here is a strange sentence: I knew what it was like to be dying.»\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"1053\"\u003eIn November 2020, just months before publishing her first novel, the author nearly died. On an ordinary Saturday, at home, without knowing it, she and her partner were dying. A leak in the boiler released carbon monoxide, and the gas was putting them to sleep until Marta, barely able, got up to go to the bathroom. There she collapsed and hit her head. It took five years to tell that experience in a story that combines narrative tension, anxiety, and hope.\u003c\/p\u003e\n\u003cp data-start=\"1055\" data-end=\"1490\"\u003e\u003cem data-start=\"1055\" data-end=\"1064\"\u003eOxígeno\u003c\/em\u003e is \"the book I never wanted to write\": the account of the minutes when life was slipping away, the months following the accident, and the years before it, when they fell in love and began building a life without thinking it could end at any moment. With sensitivity, humor, and clarity, the author faces death head-on to celebrate the everyday wonder of still being here.\u003c\/p\u003e\n\u003cp data-start=\"1492\" data-end=\"1580\"\u003e\"One of the most talented and intelligent writers of her generation.\" Laura Barrachina\u003c\/p\u003e","brand":"Alfaguara","offers":[{"title":"Default Title","offer_id":56616540602712,"sku":"LIB-OX-AL-469","price":18.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8464\/0856\/files\/9788420453996.jpg?v=1769641306"}],"url":"https:\/\/uk.plasticbooks.com\/en\/collections\/libros-ensayos.oembed?page=2","provider":"Plastic Books","version":"1.0","type":"link"}